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Hanover Theater: Group dusts off one-time downtown
pearl
By ASHLEY ADAMS, Evening
Sun Reporter, April 27, 2008
A playhouse of unsurpassed beauty.
Artistry of design, magnificence of decorations and
furnishings, ultra-modern conception of the finest in
theater building.

In 1928, those were the phrases used
to describe
the new State Theatre, a pearl for the Hanover
community.
But the building on Frederick Street, now called the
Hanover Theater, is a fading memory of its former
beauty. Water-stained ceilings, crumbling ornamental
plaster, chipping paint and cracked glass is all that is
left of its original glory.
Wearing a white hard hat, Dave Leske leans against a
wall in the third lobby of the theater. His faded jeans
and blue long-sleeved shirt show the brown grit of the
work he has completed so far that day.
It's dark in the Hanover Theater, with the only light
coming from the sun outside. Boxes and work tools are
scattered throughout the auditorium, a far cry from rows
of seats that once lined the spacious room. But the
twinkle in Leske's eyes tells a different story. Behind
the dirt and peeling paint, Leske can see the lighted
marquee, the bright screen reflecting black and white
pictures and the row of seats filled with local Hanover
residents.
As Leske moves through the rooms and talks of the
planned restoration and the history of the Hanover
Theater, his excited voice gives hope to the old
structure.
Through a twist of fate, Leske and his wife, Stacie
Johnson, stumbled upon the theater in June 2007. The
couple, from Richmond, Va., but now living at the
theater, are members of an organization that were
looking for a theater to renovate. The Hanover Theater
was perfect. So, by October, Historic Hanover Theater
LLC - of which Leske is general manager - had purchased
the building.
In February, the group moved in and decided to
completely renovate the structure.
Through the renovation process, Leske hopes the
Hanover area will once again be
able to call the Hanover Theater a thing of beauty.
The Theater Now
Amid the dirt and debris scattered throughout the
theater, Leske and some volunteers found some treasures:
old popcorn bags, usher uniforms, advertising materials
and attendance sheets.
The original safe from the York Safe and Lock Co. is
still in the theater.
But not much else survives from the once glamorous
venue.
Gone is the impressive chandelier that hung in the
auditorium. Leske said it is now in the Strand Theater
in York.
Gone is the huge Wurlitzer pipe organ. Leske said it is
in storage in Birmingham, Ala.
Gone are the almost 1,000 original seats that filled
the auditorium. Only one original seat was found in the
basement.
The original ticket booth was removed in a 1960s
renovation, Leske said, and replaced with a booth from
the Park Theater, which was once the Hanover Opera
House.
The store on the side of the theater stands empty.
The First Lobby, under the marquee and around the
ticket booth, is not the same as was originally built in
1928. The ticket booth is no longer in its original
space.
The Second Lobby, immediately after entering the front
doors of the theater, has high ceilings and a stairway
that leads to a balcony and provides access to the
offices. A fresco of Roman scenes around the Second
Lobby walls has severe water damage.

High on the side walls of the Second Lobby are stained
glass "doorways" that were covered in the 1960s
renovation. The stained glass is broken. The textured
ceilings are covered in water stains.
The Third Lobby, the area right before entering the
former seating
area, holds the entrances to the restrooms and used to
have a water fountain and a concession stand. The
decorative plaster work was destroyed by the leaking
roof.
The Seating Area is filled with tarps, tools and boxes
instead of rows of seats. The dome overhead is crumbling
and no longer stable. The colors on the walls and
ceiling are no longer original to 1928.
The stage is no longer level and there is little left
of the rigging system for moving props.
The offices above the store, which were also used as
the manager's apartment, have a lot of water damage from
the leaking roof.
The projection room still has the original control
panel built in the 1920s and the projectors from the
1930s.
An 80-year-old retaining wall is crumbling, the
electrical system and plumbing are outdated and all the
lighting fixtures are gone.
"It needs help," Leske said as he stood in the Second
Lobby.
The Beginning
Fred Bitner was dedicated to the arts in Hanover.
Not only was he the manager of the Hanover Opera House
and the owner of a music store, but he was one of the
masterminds behind the theater.
In August 1927, Bitner closed his music store and
dedicated his time to building the State Theater on
Frederick Street.
Bitner, along with York theater owners Nathan and Louis
Appell, had purchased the former Wirt property in the
hopes of building a state-of-the-art movie house for the
Hanover area.
The former Wirt mansion located on the property was
removed by William J. Klunk in November 1927.
General contractor O.H. Hostetter of Hanover
began pouring the concrete for the base of the
foundation for the theater on Nov. 26, 1927.
By April of 1928, the walls of the theater had been
completed and the building was under roof.
Brounet Studios of New York City came in to do the
interior design.
The American Seating Co. supplied the almost 1,000
chairs made of laminated wood with cast steel standards,
finished in maroon and brown with upholstering on back
and seat of red waterwoven moleskin.
Ornamental plastering on the walls was done by Lombard
& Co. of Washington, D.C.
A huge circular chandelier with eight different parts
and artistic mounting of thousands of pieces of crystal
was hung in the auditorium.
A two-manual, eight-rank Wurlitzer theater pipe organ,
which cost over $20,000, and combined every instrument
of which a symphony orchestra is composed was featured
in the auditorium.
The theater also had a fire-proof projection room that
controlled the entire building and contained two large,
black Peerless automatic projectors from the J.E.
McAuley Co. in Chicago. A green switch and dimmer board
loaded with manual levers from Trumbull Electric
Manufacturing Co. of Plainville, Conn., was also located
in the projection room.
Outside of the auditorium, the projection room was the
most expensive room to build, costing about $50,000.
The theater had 2,850 globes that supplied the lighting
throughout. About 425,000 bricks, 128 tons of structural
steel and three cars of 1,300 bags each of cement were
used to build the State Theater on
Frederick Street.
A store front next to the theater was occupied by
Hammond's Bootery.
The theater had a sprinkler system and
intercommunicating telephone system. And the air system
provided continuous ventilation.
The theater cost a total of $250,000 to build.

Two weeks prior to the Sept. 21, 1928 opening, Bitner
traveled to
Philadelphia to select a program for opening night. The feature for the opening of "Hanover's
beautiful new house of amusement" was "Excess Baggage,"
starring William Haines. Also shown
on opening night was "Should Married Men Go Home" with
Stan Laurel and Oliver Hardy.
A special feature film of "Around The Town" was
prepared for opening night. It was a feature film of the
Hanover area and included local officials such as Squire
Lewis D. Sell in his law office and Chief of Police A.
Ray Michael and Patrolman Richard Wolford on their beat.
Opening night tickets cost 35 cents and included a 7
and 9 p.m. showing. A Philadelphian by the name of W.C.
Allen purchased the first ticket to the
early show.
The theater boasted a packed house opening night and a
special dedication ceremony held prior to the first
showing featured E. Wayne Klaiss on the organ and Miriam
Little of York singing "The Star-Spangled Banner."
The theater was touted as "the pride of Hanover
theater-goers" and "the most attractive theater in
Pennsylvania and Maryland, outside of the largest
cities," according to articles from The Evening Sun in
the 1920s.
Throughout the Years
Over the years, the theater changed hands and
appearance. Even the name was changed from the State
Theater to the Hanover Theater sometime in the 1960s.
In the 1930s, the original projectors were updated with
more "modern" ones.
The Wurlitzer was removed in the 1940s.
In the 1960s, the theater was renovated. The walls were
covered with sound control padding and fabric and the
seats were replaced. New lighting fixtures were
installed and the ticket booth was replaced.
The ownership of the theater changed hands many times
over the years, but ended up as a part of the Fox
Brothers movie chain in the 1980s.
The theater was sold in 1986 to a couple from Baltimore
who were antique dealers. The couple planned to turn the
theater into an upscale antiques co-op. They started the
conversion in the 1990s, but the project was abandoned
after financial difficulties. The theater was then used
as storage by the owners.
During the conversion, though, all the seats were
removed, the fabric was torn off the walls and the
theater was repainted.
The original chandelier was sold to the Strand Theater
in York in the mid-'90s.
In the early 2000s, the roof began to leak, causing
major damage to the ornamental plaster. Currently, 25
percent of the ceiling in the Second Lobby has been
destroyed.
The Future

The
original plan was just to do cosmetic
upgrades, Leske
said, but the
theater needs to be saved.
Originally hoping to open in December, Leske said the
theater won't be open for another year to a year and a
half.
But, Leske said, that doesn't mean the public can't
help with the restoration.
Once the building is structurally sound, Leske said a
volunteer group called Friends of the Hanover Theater
will be formed. The group will help with the restoration
process and operation of the theater.
"The response we have gotten from the community so far is
great," Leske said.
The entertainment at the theater will include
traditional musicals and dramas, movies, all kinds of
music, dance, improv, vaudeville shows and circuses. The
theater will also be available for local performing
groups.
Although they have a lot of work ahead of them, Leske
and the Hanover Historic Theater look forward to the day
a line of local residents will once again form outside
the ticket booth.
Contact Ashley Adams at
aadams@eveningsun.com.
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